About Gerard M Burns
Gerard M Burns : Biography 2011
Born in Glasgow in 1961, Burns graduated from Glasgow School of Art in 1983 with a degree in Fine Art. Drawing and Painting have been his passion since childhood. He shared this enthusiasm throughout his teaching career, later leaving a successful post as principal of art at St Aloysius College Glasgow to pursue his painting full time. Since 1999 this commitment has resulted in his current standing as one of Scotland’s most respected artists.
His growing client base varies from A-list celebrities to prominent members of business communities in the UK, Australia, Europe and the USA who collect his work for both personal and corporate folios. His paintings, most noted for their modern day translations of traditional themes, grace homes and workplaces worldwide. An example of this is the addition last year of his painting “The Rowan” which the Scottish First Minister hangs proudly over his desk at the Scottish Parliament.
Working with a bold palette on a massive scale his canvases still manage to convey an almost domestic intimacy, possibly because he paints what he knows. Relatives, friends and neighbours are all used as models and are painted in the rich d ark tones which reflect his environment. As the artist says ‘my goal is realism, but it’s by increasingly abstract means that realism is attained.’ For those coming to Gerard’s work for the first time it is worth taking into account that although we are presented with an image which could be described as representational, even photographic, each of the various pictorial elements also contains a deeper symbolic meaning. Whether it is wolves prowling around the legs of a small girl, a pinstriped figure on a high wire suspended above the city, a young woman standing at a water’s edge, or a child leading a black horse through a winter wilderness, each combination is intended to provoke in us an emotional response, a sense of place, a feeling almost that we “have been here before” in essence that the whole becomes far greater than the sum of its parts.
It is fair to say that in terms of the choice of subject matter, and sheer strength of his technique, Burns has no peers. He is ploughing a lone furrow straddling the world of representational painting and the world o f conceptual art and the simple fact of the matter is, that with greater awareness of his talent, so his fan base grows.